Tuesday, March 15, 2011

Helocopter

Introduction

aircraft with one or more power-driven horizontal propellers or rotors that enable it to take off and land vertically, to move in any direction, or to remain stationary in the air. Other vertical-flight craft include autogiros, convertiplanes, and V/STOL aircraft of a number of configurations.
The idea of taking off vertically, making the transition to horizontal flight to the destination, and landing vertically has been for centuries the dream of inventors. It is the most logical form of flight, dispensing as it does with large landing fields located far from city centres and the inevitable intervening modes of travel—automobile, subway, bus—that flight in conventional aircraft usually requires. But vertical flight is also the most demanding challenge in flying, requiring more sophistication in structure, power, and control than conventional fixed-wing aircraft. These difficulties, solved over time by determined engineers and inventors, made the progress of vertical flight seem slow compared to that of conventional flight, for the first useful helicopters did not appear until the early 1940s.
 

History

One important characteristic of the history of vertical flight is the pervasive human interest in the subject; inventors in many countries took up the challenge over the years, achieving varying degrees of success. The history of vertical flight began at least as early as about AD 400; there are historical references to a Chinese kite that used a rotary wing as a source of lift. Toys using the principle of the helicopter—a rotary blade turned by the pull of a string—were known during the Middle Ages. During the latter part of the 15th century, Leonardo da Vinci made drawings of a helicopter that used a spiral airscrew to obtain lift. A toy helicopter, using rotors made out of the feathers of birds, was presented to the French Academy of Science in 1784 by two artisans, Launoy and Bienvenu; this toy forecast a more successful model created in 1870 by Alphonse Pénaud in France.
The first scientific exposition of the principles that ultimately led to the successful helicopter came in 1843 from Sir George Cayley, who is also regarded by many as the father of fixed-wing flight. From that point on, a veritable gene pool of helicopter ideas was spawned by numerous inventors, almost entirely in model or sketch form. Many were technical dead ends, but others contributed a portion of the ultimate solution. In 1907 there were two significant steps forward. On September 29, the Breguet brothers, Louis and Jacques, under the guidance of the physiologist and aviation pioneer Charles Richet made a short flight in their Gyroplane No. 1, powered by a 45-horsepower engine. The Gyroplane had a spiderweb-like frame and four sets of rotors. The piloted aircraft lifted from the ground to a height of about two feet, but it was tethered and not under any control. Breguet went on to become a famous name in French aviation, and in time Louis returned to successful work in helicopters. Later, in November, their countryman Paul Cornu, who was a bicycle maker like the Wright brothers, attained a free flight of about 20 seconds' duration, reaching a height of one foot in a twin-rotor craft powered by a 24-horsepower engine. Another man who, like the Breguets, would flirt with the helicopter, go on to make his name with fixed-wing aircraft, and then later return to the challenge of vertical flight, was Igor Sikorsky, who made some unsuccessful experiments at about the same time.
The next 25 years were characterized by two main trends in vertical flight. One was the wide spread of minor successes with helicopters; the second was the appearance and apparent success of the autogiro (also spelled autogyro).
The helicopter saw incremental success in many countries, and the following short review will highlight only those whose contributions were ultimately found in successfully developed helicopters. In 1912 the Danish inventor Jacob Ellehammer made short hops in a helicopter that featured contrarotating rotors and cyclic pitch control, the latter an important insight into the problem of control. On Dec. 18, 1922, a complex helicopter designed by George de Bothezat for the U.S. Army Air Force lifted off the ground for slightly less than two minutes, under minimum control. In France on May 4, 1924, Étienne Oehmichen established a distance record for helicopters by flying a circle of a kilometre's length.
In Spain in the previous year, on Jan. 9, 1923, Juan de la Cierva made the first successful flight of an autogiro. An autogiro operates on a different principle than a helicopter. Its rotor is not powered but obtains lift by its mechanical rotation as the autogiro moves forward through the air. It has the advantage of a relatively short takeoff and a near vertical descent, and the subsequent success of Cierva's autogiros and those of his competitors seemed to cast a pall on the future of helicopter development. Autogiros were rapidly improved and were manufactured in several countries, seeming to fill such a useful niche that they temporarily overshadowed the helicopter. Ironically, however, the technology of the rotor head and rotor blade developed for the autogiro contributed importantly to the development of the successful helicopter, which in time made the autogiro obsolete.
In 1936 Germany stepped to the forefront of helicopter development with the Focke Achgelis Fa 61, which had two three-bladed rotors mounted on outriggers and powered by a 160-horsepower radial engine. The Fa 61 had controllable cyclic pitch and set numerous records, including, in 1938, an altitude flight of 11,243 feet and a cross-country flight of 143 miles. In 1938 the German aviator Hanna Reitsch became the world's first female helicopter pilot by flying the Fa 61 inside the Deutschland-Halle in Berlin. It was both a technical and a propaganda triumph. Germany continued its helicopter development during World War II and was the first to place a helicopter, the Flettner Kolibri, into mass production.
In the United States, after many successes with commercial flying boats, Igor Sikorsky turned his attention to helicopters once again, and after a long period of development he made a successful series of test flights of his VS-300 in 1939–41. Essentially a test aircraft designed for easy and rapid modification, the VS-300 was small (weighing 1,092 pounds) and was powered by a 65-horsepower Lycoming engine. Yet it possessed the features that characterize most modern helicopters: a single main three-bladed rotor, with collective pitch, and a tail rotor. As successful as the VS-300 was, however, it also clearly showed the difficulties that all subsequent helicopters would experience in the development process. For many years, compared with conventional aircraft, helicopters were underpowered, difficult to control, and subject to much higher dynamic stresses that caused material and equipment failures. Yet the VS-300 led to a long line of Sikorsky helicopters, and it influenced their development in a number of countries, including France, England, Germany, and Japan.
After World War II the commercial use of helicopters developed rapidly in many roles, including fire fighting, police work, agricultural crop spraying, mosquito control, medical evacuation, and carrying mail and passengers.
The expanding market brought additional competitors into the field, each with different approaches to the problem of vertical flight. The Bell Aircraft Corporation, under the leadership of Arthur Young, began its long, distinguished history of vertical-flight aircraft with a series of prototypes that led to the Bell Model 47, one of the most significant helicopters of all time, incorporating an articulated, gyro-stabilized, two-blade rotor. Frank Piasecki created the Piasecki Helicopter Corporation; its designs featured a tandem-rotor concept. The use of twin tandem rotors enabled helicopters to grow to almost twice their previous size without the difficulty of creating very large rotor blades. In addition, the placement of the twin rotors provided a large centre of gravity range. The competition was international, with rapid progress made in the Soviet Union, the United Kingdom, France, Italy, and elsewhere.
To an even greater extent than fixed-wing aircraft, the development of the helicopter had been limited by engine power. Reciprocating engines were heavy, noisy, and less efficient at high altitude. The first application of jet-engine technology to the helicopter was accomplished in 1951 by the Kaman Aircraft Corporation's HTK-1, which had Kaman's patented aerodynamic servo-controlled rotors in the “synchropter” configuration (i.e., side-by-side rotors with intermeshing paths of blade travel).
In conventional aircraft the power of the jet engine was used primarily for increased speed. In the helicopter the thrust of the jet turbine had to be captured by a gearbox that would turn the rotor. The jet engine had many advantages for the helicopter—it was smaller, weighed less than a piston engine of comparable power, had far less vibration, and used less expensive fuel. The French SNCA-S.E. 3130 Alouette II made its first flight on March 12, 1955, powered by a Turbomeca Artouste II turbine engine. It rapidly became one of the most influential helicopters in the world and started a trend toward jet-powered helicopters everywhere.
There are now a vast number of helicopter types available on the market, ranging from small two-person private helicopters through large passenger-carrying types to work vehicles capable of carrying huge loads to remote places. All of them respond to the basic principles of flight, but, because of the unique nature of the helicopter's rotor and control systems, the techniques for flying them differ. There are other types of vertical-lift aircraft, whose controls and techniques are often a blend of the conventional aircraft and the helicopter. They form a small part of the total picture of flight but are of growing importance.

Ricksha(travel)

also spelled  Rickshaw,  also called  Jinrikisha, or Jinrickshaw 
Photograph:Ricksha, c. 1875; in the Museum of Carriages, Maidstone, Kent, Eng.
 
  • Ricksha, c. 1875; in the Museum of Carriages, Maidstone, Kent, Eng.
(Japanese: “human-powered vehicle”), two-wheeled vehicle with a doorless, chairlike body and a collapsible hood, that holds one or two passengers and is drawn by a man between two shafts. It was used widely in the Orient but was largely superseded by the pedicab (q.v.), a ricksha driven by bicycle.
The name of its inventor remains uncertain, but it was first used in Japan in the 19th century and is similar to the old French brouette. Many were built in the United States for export by the American carriage builder James H. Birch of Burlington, N.J.

Sedan(Road Vehicle)

also called  Sedan Chair,  
portable, enclosed chair mounted on horizontally placed parallel poles and carried by men or animals. In Italy, France, and England, in the 17th and 18th centuries, sedans became highly luxurious and were often elaborately carved and upholstered and painted with mythological scenes or heraldic devices. In England, in 1634, Sir Sanders Duncombe received a royal patent to be the sole supplier of rental, or hackney, sedans for 14 years, a reward for having imported the sedan chair, probably from Naples. Sedan chairs were welcomed in England as a relief from the swarm of coaches then clogging London streets.
In colonial America sedan chairs were used by the wealthy, mostly in New York City and Philadelphia. Benjamin Franklin still was using sedans in 1789.

Kite

Introduction

oldest known heavier-than-air craft designed to gain lift from the wind while being flown from the end of a flying line, or tether.
Over the millennia, kites have been used to ward off evil, deliver messages, represent the gods, raise banners, discover natural phenomena, propel craft, drop propaganda leaflets, catch fish, spy on enemies, send radio signals, measure the weather, photograph the Earth, and lift passengers skyward. Modern kites are flown mostly for pleasure and sport, in addition to being a folk form of artistic expression. The kite was the ancestral aircraft that launched manned flight.
 

History

Asia

Nearly 3,000 years ago the kite was first popularized, if not invented, in China, where materials ideal for kite building were readily available: silk fabric for sail material, fine, high-tensile-strength silk for flying line, and resilient bamboo for a strong, lightweight framework. The earliest known Chinese kites were flat (not bowed) and often rectangular. Later, tailless kites incorporated a stabilizing bowline. Kites were decorated with mythological motifs and legendary figures; some were fitted with strings and whistles to make musical sounds while flying.
After its appearance in China, the kite migrated to Korea, Japan, Myanmar (Burma), India, Arabia, and North Africa, then farther south into the Malay Peninsula, Indonesia, and the islands of Oceania as far east as Easter Island. Since kites made of leaves have been flown in Malaya and the South Seas from time immemorial, the kite could also have been invented independently in that region.
One ancient design, the fighter kite, became popular throughout Asia. Most variations, including the of India and Japan, are small, flat, roughly diamond-shaped kites made of paper, with a tapered bamboo spine and a balanced bow. Flown without tails that would hinder their agility, these highly maneuverable flat kites have a length of cutting line coated with an abrasive attached to the bridle (see below, Aerodynamics), which is then tied to a light cotton flying line. Although the rules of kite fighting varied from country to country, the basic combat was to maneuver the swift kite in such a way as to cut the opponent's flying line.
 

Europe and the West

Kite flying began much later in Europe than in Asia. While unambiguous drawings of kites first appeared in print in Holland and England in the 17th century, pennon-type kites that evolved from military banners dating back to Roman times and earlier were flown during the Middle Ages.
During the 18th century tailless bowed kites were still unknown in Europe. Flying flat arch- or pear-shaped kites with tails had become a popular pastime, mostly among children. The first recorded scientific application of a kite took place in 1749 when Alexander Wilson of Scotland used a kite train (two or more kites flown from a common line) as a meteorologic device for measuring temperature variations at different altitudes.
Three years later, in June 1752, in what is the most famous of kite experiments, the American inventor and statesman Benjamin Franklin, with the aid of his son, lofted a flat kite fitted with a pointed wire and silk sail during a thunderstorm. Somehow both father and son avoided electrocution as a metal key attached to the flying line became electrified. Franklin proved that lightning was the natural phenomenon called electricity, not the wrath of the gods. One immediate and practical outcome of the experiment was Franklin's invention of the lightning rod.

Rubik's Cube

toy, popular in the 1980s, that was designed by Hungarian inventor Erno Rubik. Rubik's Cube consists of 26 small cubes that rotate on a central axis; nine coloured cube faces, in three rows of three each, form each side of the cube. When the cube is twisted out of its original arrangement, the player must then return it to the original configuration—one among 43 quintillion possible ones.

Jigsaw puzzle

any set of varied, irregularly shaped pieces that, when properly assembled, form a picture or map. The puzzle is so named because the picture, originally attached to wood and later to paperboard, was cut into its pieces with a jigsaw, which cuts intricate lines and curves. Jigsaw puzzles may be very complicated vis-à-vis the number of pieces and the number of different cuts and thus take many hours to complete.
The puzzles originated as educational devices to teach geography (dissected maps) in 18th-century England. Dissected pictures followed, covering such subjects as history, alphabets, botany, and zoology. The use of popular pictures began in the 1860s and '70s, in both Great Britain and the United States. The puzzles became extremely popular in the early 1900s and had a revival in the Great Depression of the 1930s as an inexpensive, reusable amusement. Another revival began after World War II, and jigsaw puzzles have remained a popular entertainment since then.

Crossword puzzle

popular form of word puzzle. A crossword puzzle consists of a diagram, usually rectangular, divided into blank (white) and cancelled (black, shaded, or crosshatched) squares. This diagram is accompanied by two lists of numbered definitions or clues, one for the horizontal and the other for the vertical words, the numbers corresponding to identical numbers on the diagram. Into each of the blank squares of the diagram a certain letter of the alphabet is to be inserted, forming the words fitting the numbered definitions or clues. The words cross each other, or interlock, which gives the puzzle its name.
The first crosswords appeared in England during the 19th century. They were of an elementary kind apparently derived from the word square, a group of words arranged so the letters read alike vertically and horizontally, and printed in children's puzzle books and various periodicals. In the United States, however, the puzzle developed into a serious adult pastime. The first modern crossword puzzle was published on Dec. 21, 1913, in the New York World's Sunday supplement, Fun. It appeared as only one of a varied group of mental exercises, but it struck the fancy of the public. By 1923, crosswords were being published in most of the leading American newspapers, and the craze soon reached England. Soon almost all daily newspapers in the United States and Great Britain had a crossword feature of some kind. The Sunday Times of London ran perhaps the best-known puzzle.
Crosswords in various forms are found in almost every country and language. Scholars have even gone so far as to make them for Latin. Advocates claim the puzzles are both a pastime and an interesting means of improving the vocabulary. Though the majority of puzzles have the form of symmetrical patterns of shaded or blacked-out squares within a rectangle, there are many variations. These include: (1) an asymmetrical scattering of squares; (2) a plain diagram with no squares canceled and the ends of words marked simply by a thick line; (3) pictorial designs, either in outline containing the diagram or in line inside the diagram, or a combination of both; and (4) diagramless puzzles, with no squares cancelled and no word ends marked.
The general type of crossword has also been subject to variation. Some puzzles employ abstruse definitions, puns, and anagrams. A number of words in one puzzle may bear upon some announced theme, such as music, sports, literature, or geography. Many of the puzzles in this category are quite difficult. Again, some clues will be omitted altogether but a direction given that the words thus neglected belong to a particular class: jewels, for example, or words in a quotation. Sometimes every word will have some given prefix, suffix, or part in common, and only the rest of the word will actually fill the spaces in the diagram: (rat)ion, (rat)chet, etc.; unc(tion), cap(tion), etc.; qu(it)e, cr(it)ic, etc. Lester Markel, Sunday editor of The New York Times, insisted that puzzles appearing in that paper contain words linked to the news. Harold T. Bers, an advertising writer and puzzle constructor, devised the internal-clue crossword, in which the theme of the puzzle emerges gradually as successive definitions are solved: filling in “pussyfoot,” “caterwaul,” “kittenish”—together with an overall title “catalog”—would reveal the feline theme.